2018 Summer Schedule:
June 23: Mari at Magus Midsummer Hafla - an informal showcase featuring student through professional belly dance performers. 6-8 at Magus
Books in NE Minneapolis, MN
July 8 - Basics of ATS® Workshop, Shift Fitness & Massage, 11am-2pm
July 14 - Guild of Middle Eastern Dance Open Stage, 6:30 PM 3010 Minnehaha Ave, Minneapolis, MN 55406
July 22 - Back to ATS® Basics Workshop, Shift Fitness & Massage, 11am-2pm
August 5 - Slow & Steady Workshop, Shift Fitness & Massage, 11am-2pm
August 11 - Guild of Middle Eastern Dance Open Stage, 6:30 PM 3010 Minnehaha Ave, Minneapolis, MN 55406
August 19 - Slow & Saucy Workshop, Shift Fitness & Massage, 11am-2pm
Beginner (3 hours)
These workshops are designed for students who are new to the ATS® format.
Basics of ATS®
Slow & Steady
Advanced (3 hours)
These workshops are designed for students who have taken at least one 8-week session of ATS® level 1.
Back to ATS® Basics
Slow & Saucy
Focus on the Family Series I and II (1.5 hours)
Series I is designed for beginner dancers.
Series II is designed for advanced beginner/returning dancers.
Troupe performances are available for weddings and parties (sorry, no stag/bachelor/male-only parties).
Private lessons are available by appointment.
(from our Facebook page)
Hey all! Tasha-Rose here...
You have probably noted for quite some time that I have been absent of class work and performing. I have had a few life changes and a bit of issue with my RA as a result of a medication I was on when pregnant with my youngest, Henri. This has all made me have need to step back from dance for the past couple of years. In that time there were a lot of changes with FCBD that caused me to make the decision to break with the dance form formally (though I do still love it entirely in its art form) and to no longer be recognized as a Sister Studio.
I am now at a place personally and professionally that I am moving on from dance almost entirely, save for an advisory role in KCDC. My personal and professional goals have shifted to center my family even more and my feminist activism and writing.
Of course KCDC isn't going away! Donna has taken on leadership of the troupe and classes, and has been working hard to keep KCDC Minnesota's leader in ATS. As a result, I am excited to announce that Donna is the new owner and director of Kamala Chaand Dance Company. With that, KCDC remains Minnesota's PREMIER FCBD Sister Studio and American Tribal Style dance company dedicated to the art and style set in place by Carolena Nericcio.
Donna has been dancing with KCDC since 2012 and received her Sister Studio status two years ago.
I am excited to see the direction Donna takes the troupe. She has been training some really solid dancers and is of course rooted in the original KCDC style.
It's been my joy dancing ATS and leading this troupe. We have had so many brilliant dancers flow through our ranks, one who joined us all the way from Poland, and have at one point three certified Sister Studio teachers in troupe. We have gotten to share the stage with dancers from all over the world, host an incredible dance event with world class instructors, and of course lead the ATS charge in the great state of Minnesota. When I started ATS 13.5 years ago, I never thought it would give me so much. I never thought it would enable me in part to become the woman I am today.
I am grateful to all of the students I have had over the years for helping me become a great teacher, and teaching me the art of confidence. I became the teacher I always wanted to be: the one who seeks to see students become better than the teacher. I am grateful to my husband who encouraged me when things were really difficult and I wanted to throw in the towel and give up. I am so grateful, for the rest of my life, to my teachers, Cassandra Shore and Carolena Nericcio. Thanks also goes to the myriad of teachers I have gotten to workshop with over the years as well. Lastly I am thankful to my troupe and most especially Donna. Donna has been my right hand for the last number of years and I came to depend on her like no one else because of her ability to give the counter view, or just to take the reins from time to time so I could manage the troupe even better. STTWC never would have happened without her. KCDC wouldn't still BE without her these last two years. You're in good hands, KCDC. I wouldn't trust you to anyone else.
Whenever I started a new series, I always told my students the reason I was teaching: because women hate each other. From the moment we are born we are conditioned to hate one another and guise it with "sisterhood." The reason this dance appealed so much to me was because when we are in the midst of dancing with 2-4 women, we don't have time for that. The only thing we have time for is to be connected to one another in a way that only women can be... and it's magic. Ego is shed. Cultural conditioning is shed. Negative self talk is shed. All we are worried about is the flow, or as Carolena called it, the Divine Subconscious. The flow is feeling the music, catching the cues, taking the lead, dancing the circle, following, magic.
Make art. Make magic. Dance.
I love you KCDC.
KCDC,Inc. is doing some heavy reconstruction.
Tasha-Rose will soon be taking a hiatus in order to work on a lot of really huge administrative tasks that need to be done. We are also working on partnership paperwork and all that jazz.
As such, the roles of the three teachers at KCDC,Inc. are changing.
Tasha-Rose will maintain controlling ownership and take on the title of Artistic Director
LaDonna will be stepping into the role of Managing Director
Breana will be stepping into the role of Assistant Director.
Tasha-Rose will still hang around the studio at least once a week, but is planning at least a six month hiatus to get some heavy lifting done, have a baby, and re-center.
KCDC,Inc. is altogether switching focus. While we are remaining dedicated to being the only troupe in Minnesota to be committed to the standard of ATS® and will not be performing other styles of dance within the company, we are also working on the roots. There is a commitment of all troupe members this coming year on heavy study of all things Masha Archer as well as influences of other dance forms within the context of ATS®. As instructors, we are also honing our workshop offerings to provide a more thorough understanding to our students of the components of movement that take dancers from great to excellent.
Expect a lot of changes in the next year or so of KCDC,Inc. We are moving forward in style and grace and are excited to have all of our students and fan-base with us along the way as we grow and expand in so many ways.
As ever... thank you.